Band:Tony Niva – Lead vocals
Lars Chriss – Lead and rhythm guitars, Drums
Andy Loos – Bass
Kay Backlund – Keyboards (Dressed To Kill, Wall Of Bricks, Spirit Of The Night, Déjà Vu, I’m On A Roll, Evil Rose, Raise Your Voice)
Fredrik Bergh – Keyboards (The Mountain, Play Our Songs, Forbidden Lover)
Nigel Bailey – Backing vocals
Mick Devine – Additional backing vocals (Evil Rose, Wall Of Bricks)
George Bailey – Additional backing vocals (Dressed To Kill)
Discography:
Ni Capitulation (1994)
Gold From the Future (2011)
Magnitude (2013)
Incremental
IV (2014)
Relievin' Rain (2015)
Guests:
Info:
Produced & Mixed by: Lars Chriss
Mastered by: Mike Lind at Masterplant
Cover artwork and booklet design by: Carl-Andre Blekkmark
Released 2016-10-28
Reviewed 2016-10-19
It is AOR according to the format, great melodic sounds, high-pitched vocals of good quality and of course catchy choruses. It sounds like it often does and we get the typical style of songs that we get from this genre and if I say AOR I am sure that you think of something similar to this. Niva is a great vocalist but the majority of the songs they offer on this new album can be described as quite ordinary, with some extremely strong highlights.
It is a solid album, it pushes the right buttons and typical AOR fans can probably think that it is a good thing but as a critic I have higher demands than the ordinary stuff if I am to give a good rating. The second track called Déjà Vu is a great track and the best one of the album, but it is also a telling title as that is what it is – déjà vu. Other than I can’t say that there is many things that can be described as outstanding, it is typical tired standard AOR tracks we mainly get with this album and I can’t help thinking that maybe they should slow down a little. You hear that they have the capacity to make something much better than this and maybe taking longer time to create more songs will give the possibility to be more selective.
They sing of déjà vu and that is the prevailing sensation I feel when listening to this album. It is not a very inspiring album to write about or listen to, it works and presses the right buttons but in the end it is with some exceptions a rather forgetful album. I just can’t shake the feeling that they should be able to make something more than a decent AOR album.
HHHHHHH