Band:
Jonas Månsson - vocals and guitar
Katja Rasila - keyboards and vocals
David Gustafsson - bass and vocals
Henrik Zetterlund - drums
Discography:
Garden Of Eden (2016)
Last Days of Eden (2020)
Guests:
Info:
Recorded at Syndicate Studios
Mixed and mastered by Simone Mularoni at Domination Studio
Artwork by Jonas “Urna” Beijer
Released 2022-06-17
Reviewed 2022-07-25
Links:
solesyndicate.com
scarlet records
This is heavier than the previous album, a sound that I think fits the band well, they are improved by heavier sound. It is fairly traditional heavy rock music, nothing that stands out much in regard to the style. The singer is good, but some of his English is a bit off, he sings carbon dioxide in one of the tracks and the pronunciation is quite funny, though I think he may be adjusting for the flow of the song – let’s say that he does. The variation over the album is okay, but it is a tad long. They sing about political themes like war, mental health, environment, and social injustices, good subjects – but also performed so you don’t really notice much of the themes unless you really listen for them. But they are important subjects, what if we don’t start acting to save our environment? The flaming Earth on the cover might be quite right.
Stylewise it isn’t an album that stands out, Sole Syndicate doesn’t reinvent the heavier rock music, they don’t take it a step further in terms of quality either. We have heard what Sole Syndicate does before, and it has been done better. But if you still decide to buy this from the Scarlet store, I advise to pick up the latest efforts by Fellowship and Trick or Treat as well to get something great out of your purchase. Not that Into the Flames is bad or anything, it is just one more album that lacks outstanding songs, that lacks original ideas, and that is missing personality. I hear so many albums like this one that it gets ever more impossible to tell them apart, they all sound the same: soulless, undramatic, well-made, decent enough to give a spin, but a complete waste of money as it is only the great albums you will play anyway. Sole Syndicate takes a step forward, I think they should explore this heavier sound more, but also dare to think outside the box – it doesn’t matter if you know all the secrets of the greatest past and present rock and metal bands. Their secrets are already used, too many times already – if you want to make something great you need to invent something new.
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