Band:
Sakari Ojanen: vocals, guitars
Joni Palmroth: bass
Ville Viitanen: drums
Jussi Poikonen: guitars
Discography:
The Treachery of Senses (2012)
Origin (2016)
Guests:
Info:
Mixed and mastered by Carson Slovak and Grant Mcfarland
Atwork by drummer Ville Viitanen
Released 2022-03-11
Reviewed 2022-05-28
Progressive is not the word I would use, but there is no genre name for the style of music that was progressive 20-30 years ago, which is the style Oddland perform in. They sound a lot like Leprous and Pain of Salvation, but also many others – I probably could namedrop a few hundred bands here if I like. The singer is a bit, and the same goes for the sounds, Burntfield and Minutian comes to mind as Finnish bands that are close. The musical variations are the same as we have heard from previously mentioned bands, and there is very little about Vermilion that is actually progressive in regard to the meaning of the word. Progressive is something that takes a step forward, progressive is to do something new that we haven’t heard before – Oddland is no more progressive than your everyday AOR- or thrash metal band.
Oddland is a decent band, the songs on the album are good enough and it is fine to listen to the album. The fifth track is very good, despite feeling ripped off from others. First time I heard the album I thought it sounded interesting, then I got tired with another band trying to appear progressive that only borrows everything they do from other bands. I never heard that acclaimed debut, but it is obvious that they are strong musicians so it might be great but judging their creative abilities through this album that is very doubtful considering that not a single note of Vermilion can be conceived by Oddland, everything feels borrowed. I don’t like borrowed, though I have to admit that sometimes it works.
What to recommend about Vermilion? It is not an album just to throw away, more like a lesser version of bands like Leprous. It is a decent album, but it lacks excitement, novelty, originality, things that should be the first thing you notice on a progressive album. So, another regressive album that is oversold by its label, good enough to give a spin or two, but hardly anything memorable.
HHHHHHH