Band:
Eric Wagner – vocals
Bruce Franklin – guitars
Rick Wartell – guitars
Ron Holzner – bass
Barry Stern – drums
Discography:
Psalm 9 (1984)
The Skull (1985)
Run to the Light (1987)
Trouble (1990)
Manic Frustration (1992)
Plastic Green Head (1995)
Simple Mind Condition (2007)
The Distortion Field (2013)
Guests:
Jeff Olson – keyboards
Info:
Rick Rubin – producer
David Bianco, Jimmy Heyson – engineers
Brian Jenkins – assistant engineer
Greg Fulginiti – mastering
Maria DeGrassi – art direction, design
Paul Natkin – front cover photography
David Skernick – back cover photography
Timothy Eames – logo sculpture
Adam Dubin – music videos director for "R.I.P." and "At the End of My Daze"
Danny Cornyetz – music videos editor
Dave Kaplan – manager
Released 2021-02-12
Reviewed 2021-07-13
Doom metal is one genre that is mentioned in relation to Trouble and comparisons with the likes of Black Sabbath is inevitable, it has the same classic rock/metal feel to it but Troubles widens their scope to make a very varied album on their self-titled release. It is also the most mature and complete of the four albums I review, it is like they have taken everything and perfected it for this one that sounds best on both overall sound and singer. The songs come in a wide range but most of them shows a timeless quality as well as a strong hit potential, it is creative visions and craftsmanship combined into what would appear to be a magnum opus for the band.
It starts brilliantly with At the End of My Daze that has an excellent riff and is a great song, from their it just continues with some magnificent songs. Perhaps the one called The Misery Shows is my favourite, it is a bit longer and a little more relaxed than some of the other songs on the album, it is a memorable track. But that is not the only one, R.I.P. that follows and was made as a video track is another one that stands out with a catchy feel to it, there is a lot of hit potential throughout this album that thanks to these timeless songs might be worthy of mentioning as a classic. The sound is very much to the period, and it suits the album perfectly. I try to think of a doom metal album done after this one that was actually better and I am not sure that there is one, I can’t think of one anyway. So why did I miss this one? Perhaps because the doomier metal like Black Sabbath has never been a real love of mine but when it is done as well as this one it is hard to make arguments against.
I noticed that the Hammerheart store still had copies of the vinyl limited to only 200, if that isn’t a sign of this album not having achieved the recognition it deserves, I don’t know what is. I would have bought it if I could have afforded it, and I certainly recommend checking it out because it is worth giving plenty of time and attention. One of the highlights of the era and of the genre.HHHHHHH