Band:
Christian Carlsson - lead vocals, guitar
Franco Santunione - vocals, guitar
Jerry Prütz - bass, vocals
Per Kohlus - drums
Discography:
The Circus comes to town (2014)
All for the Boogie and the Blues (2017)
Guests:
Erik Nilsson - add. Percussion
Info:
Produced by Franco Santunione
Recorded by Martin Karlegard at Submob Studio and by Erik Nilsson at Studio 491
Mixed by Erik Nilsson at Studio 491
Mastered by Claes Persson at CPR-recording
Artwork by Bring the King
Photos by Kent Renewer at Bodyshots Studio
Released 2019-07-26
Reviewed 2020-05-01
Links:
youtube
metalville
The music isn’t very circusy, I would say that it is quite standardised blues rock with no surprises. Well made, decent production, ordinary singer, and kind of the expected variation of songs, it is an album that is much like any other blues rock album. I suspect that originality wasn’t what they were going for, probably not fresh either – this is an album that feels very familiar and it is quite predictable. It would also have benefitted this album to be shorter, as it feels a tad on the long side.
Musically it is pretty okay, with decent songs it makes for a decent album, but a far from a spectacular one. The instrumental stuff is the best, the rest of the album is a little bit uninteresting. They could have gone for more circus and more black magic, less of the generic blues stuff. It would be fair to say that I am less than impressed. However, there is a decent chance that fans of the blues rock stuff will find this album relatively agreeable, perhaps even good, but if you are looking for something with a more novel approach you should look elsewhere.
I cannot claim that this is a good album, I found it to be fairly dull and grew bored with it really fast. Now, I am not a fan of the blues rock genre, therefore your impression might differ from mine, but the facts remain and those are that Cirkus Prütz offers nothing fresh and nothing original.
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