Band:
Ace Frehley – lead and background vocals, rhythm, lead and additional guitars, bass guitar
Discography:
Ace Frehley (1978)
Frehley's Comet (1987)
Second Sighting (1988)
Trouble Walkin' (1989)
Anomaly (2009)
Space Invader (2014)
Origins, Vol. 1 (2016)
Guests:
Gene Simmons – bass guitar (track 1)
Scot Coogan – drums (track 1,3,4,7), background vocals (track 3, 4)
Alex Salzman – background vocals (track 2-4, bass guitar (track 3, 6)
Rachael Gordon – background vocals (track 2, 3)
Matt Starr – drums (track 2, 6, 9)
Ronnie Mancuso – guitar (track 4, 7)
Anton Fig – drums (track 5, 8)
Warren Huart – guitar (track 9)
Info:
Recorded at Ace in the Hole Studios
Produced by Ace Frehley, Alex Salzman (co-producer 1-8) and Warren Huart (co-producer track 9)
Eric Gonzalez – mixing assistant
Andrew Perez – mixing assistant
Hayden Cluff – assistant engineer for Warren Huart
Jay Gilbett – photographer
Ace Frehley & Paul Grosso– creative direction and design
Adam Ayhan – mastering
Warren Huart - mixing
Released 2018-10-19
Reviewed 2018-10-27
Links:
acefrehley.com
youtube
eOne
It is rock music of the old kind, kind of like said band Kiss where Frehley spent much of his time. Some nice guitar work, decent sound and decent variation and a playing time short enough to fit the vinyl format, and we are treated to a pretty average production. Average is probably the diplomatic way to describe how the Cro-Magnon spaceman sings on the album and I would claim that the vocals are not great. And the album doesn’t really come up with any fresh ideas, any space journeys or anything adventurous, just oldish rock music that could just as well have been a collection of rejects from Frehley’s time in Kiss.
Can’t really claim to be impressed with what Frehley has to offer on this album, the songs feel out-dated, and they feel tired – boring is a good word for what I think about this album. Sure, it isn’t so bad that I want to vomit cascades of half-chewed food all over the vinyl disk, or something similar. It is okay in that regard but it is not the most impressive rock album ever constructed, not even close. It is like myself in this review, kind of repeating the same tirades in different forms – he makes music that has been done before by many others and I would call him a very uncreative man, kind of like most rock musicians.
Kiss has made this kind of albums forever and it seems like Ace does the same, so why is he no longer in Kiss? Or why doesn’t he create something that doesn’t feel extremely boring? Perhaps the spaceman album should be tossed into orbit to get the chance to burn up on its way to re-entry, but as I am not that strong I just shred the album and rejoice over the fact that I am done with it now.
HHHHHHH