Band:
Mikael Åkerfeldt – vocals, guitar, production, art direction, engineering
Fredrik Åkesson – guitar, backing vocals
Joakim Svalberg – piano, keyboard, backing vocals
Martín Méndez – bass guitar
Martin Axenrot – drums, percussion
Discography:
Orchid (1995)
Morningrise (1996)
My Arms, Your Hearse (1998)
Still Life (1999)
Blackwater Park (2001)
Deliverance (2002)
Damnation (2003)
Ghost Reveries (2005)
Watershed (2008)
Heritage (2011)
Guests:
Info:
Dave Stewart – strings arrangements
Tom Dalgety – engineering, production
Janne Hansson – engineering
Steven Wilson – mixing, backing vocals
Paschal Byrne – mastering
Travis Smith – cover art
Released 2014-08-27
Reviewed 2014-09-09
Links:
opeth.com
myspace
last-fm
youtube
roadrunner
Pale Communion can be said to be continuing where Heritage left off, no new direction rather a direction slightly westwards meaning somewhat backwards towards albums just before Heritage. Melodic, soft, not very heavy, very varied and only clean singing just as has been the case for the later works of this band. Not very metal some would probably say. It is quite hard to describe in words but it sounds like Opeth, kind of the way you imagine that Opeth sounds. Almost an hour of music with decent variation, of moods and clever ideas. Unfortunately I would say that all these ideas has been reused from earlier works by the band. Is it that Opeth has lost its drive to progress, to evolve, to take out a new direction for each and every album?
Well, it is too early to say from one or two albums taking a very similar direction but this album is not as interesting as any of those that has come before it. For an Opeth album it is very dull, maybe not as dull if you expectations are on something but Opeth. The thing is that with the twists and turns of Opeth you can only take it once, maybe twice before it feels repetitive and this is what happens with this album, it feels like it repeats the stuff that came just before it. The novelty of Opeth in the past is not really there anymore, I just hope this is a blip and that they will be back on some track with the next album.
Not the best of the Opeth albums but still it is a fairly good album and not as poor as some youtubers claim that it is. They all want the band to make a new Blackwater Park or Deliverance, conveniently forgetting things like Operation Mindcrime 2 which goes to show how bands fail when they try to live up to the expectations of fans (there are more examples of this). I think a return to Blackwater Park kind of music would yield a horrific Opeth album as that is not what the band wants to do and if an artist makes something they don’t want to do it tends to suck. So in the end, I think that anyone who likes Opeth’s recent works will probably find this quite good as well even though it lacks the excitement of what has come before.
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