Band:
Herbie Langhans - Vocals
Dilenya Mar - Vocals
Peter Degenfeld - Guitar
Christopher Tarnow - Keyboards
Dominik Stotzem - Bass
Fabian Maier - Drums
Simon Oberender - Keyboards/Guitar
Discography:
Debut
Guests:
Info:
Released 20/1-2012
Reviewed 4/1-2012
Links:
beyondthebridge.net
frontiers
Their music is complicated, POR one might describe it as, progressive oriented rock that range from rock to metal and back again, taking detours into a lot of stuff, even the audiobook genre in some parts. Complex, varied, melodic, instrumental masturbation, the ways to describe this band are many and as we don’t want a review that is too long to read I just say that is is the things I just said. The thing you will probably notice the most anyway is the two vocalist, the male and the female and how their voices interact through the album, sometimes making conversations and everything. To say that they sound like no other band I have heard is not an exaggeration, they do not sound like any band I have heard before. This complex creation consists of eleven tracks and it is one hour and seven minutes long, that makes it a rather long album which is something that is common practise in the progressive genre as those albums are often varied enough to get away with that long albums. Sound is modern, clean and good, nothing else was to be expected as it is progressive music.
For starters I was into giving this album a rating of five because of the brilliance, especially in the dynamics of the vocalists which is the real high point of this album. Both singers are also really good, especially the female one. But there were also lots of stuff that caught my attention, but as I played the album more this opinion started to waiver as I noticed more issues, like many parts where the music becomes very static and how it loses the flow and sort of just dies down many times which is something that I think is a common problem in the progressive genre. It seems like many progressive musicians focus so much on writing stuff as complicated as possible and many times that kind of music becomes static and says nothing to the listener and the only one who is happy is the masturbator who laid the guitar lines or keys down. This thing also seems to be a common problem amongst progressive newcomers, it seems like they think that the more complex our instrumentation and song structure, the better our music become but that is not a fact, look at the biggest ones in the genre, Dream Theater who are melodic in their starting point and they become progressive for their atypical song structure and skillet instrumentation but listen to songs like Pull Me Under or Awake and you will realise that the greatness is not in the complexity, it is in making the complex sound easy and that is something only the best progressive bands manage. Beyond the bridge makes the complex sound complex and because of that their music becomes fragmented and static and it sounds like many newcomers to the progressive scene.
I would say that we see flashes or brilliance in the album and if we for instance look at the brilliant ending song there is also proof that this band actually can make the complex sound easy which is what progressive rock/metal is all about, along with great songs and melodies of course. So it is clear that the band has the skills and the knowledge to do it but this album seems to have become too complex and too ambitious, it did not reach what they were hoping in my opinion at least. They should ditch about 37 minutes of the album because had they made a 40 minute album where they had all the fragmented stuff and the static stuff removed, they would be amazing.
In the end I think that Beyond the Bridge does an adequate debut album, it is alright but it lacks that air of skill and confidence that the best ones in the genre show in their music and therefore it becomes a good album, nothing more, nothing less.
HHHHHHH
Previous reviews:
Souldrainer - Heaven's Gate
The Fallen Divine - The Binding Cycle
Confession - The Long Way Home
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Sofia Talvik
Absurdity
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