Band:
Markus Sigfridsson - Guitars, bass, keyboards/programming
Leo Margarit – Drums
Erik Tordsson – Vocals
Raphael Dafras – Bass
Discography:
All Things Fallen (2017)
Guests:
Backing vocals by Ulrik Arturén
Violin on “Pandemonium” and “Path of Dismay” by Maria Grigoryeva
Info:
Mixed and mastered by Dennis Koehne
Artwork by Markus Sigfridsson
Released 2022-06-03
Reviewed 2022-05-21
Links:
bandcamp
youtube
blackoak records
The members of All Things Fallen come from bands like Darkwater, Pain of Salvation, End of September, and you can notice traces of those in the sound of All Things Fallen. The sound is progressive, tempo is not high but quite varied. There are some nods to bands like Rainbow, hardrock of the past that is balanced with a modern progressive sound. Good variation over the tracks, and the paying time spanning about fifty minutes is very sensible. I think the vocalist is very good, and while they may not really reinvent the progressive wheel they are still making music that sounds quite fresh.
I like this one, it offers a lot of positive things. Not only lifting the mood with a good album after a whole bucketload of negative albums, but it is enjoyable. Tracks like Pandemonium and Narcissistic Ritual are very memorable, but I can miss that outstanding hit song like you get on many of Dream Theater’s albums. I like the soundscapes and variation but think that they should have added a bit more up-tempo stuff to make the album a bit more dynamic. It is a strong effort by a good band, perhaps it is worthwhile to also check out that debut, but you do well with only this one.
If you are a fan of the progressive metal you should have a look at this one, it is a fine offering in that genre. A good album, plain and simple. This Swedish band certainly knows how to make great progressive metal, and you will not be disappointed if you play Shadow Way in your music player – I know that I will keep playing it even after this review is punctuated.
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