Band:
Alan Kelly - all instruments & backing vocals
John Francis - lead & backing vocals
Discography:
The Ghosts Of Humans (2015)
Guests:
Catherine Francis - backing vocals on Santa Carla
Danny Beardsley - guitar solos
Info:
Recorded & Produced by Alan Kelly and John Francis
Mixed & Mastered by Iraklis Deligiorgis
Released 2020-10-30
Reviewed 2021-05-15
Links:
lions pride music
The members of the band have been in bands we have reviewed before, Shy and Afterhours and it isn’t too far-fetched to draw parallels to those bands. In fact, you can draw parallels to almost any band of the melodic rock or AOR type of music. It is built around strong melodies and choruses; the great production and singer are positive aspects to this production. I really like the singer who has both emotional resonance and a great voice, but the ideas aren’t exactly the freshest and most original out there. It is an album that gives a fairly typical selection of songs and doesn’t bring us anything unexpected, even at forty minutes the playing time is too much, and I keep thinking that it should have been shorter.
This album is pretty good, the best songs like The Last Time and opener Santa Carla are great and really enjoyable to play. The problem is that it isn’t a standout release, and it doesn’t really make much of a mark. It isn’t a memorable album, that is mostly because it lacks a sense of novelty when the impression is more like listening to a compilation of older songs rather than a fresh and new album. The problem with the ever-increasing numbers of albums within the AOR genre is that it devalues the quality of the albums and the vast majority of albums released in any genre will be mediocre almost no matter how good they will be. So, a mediocre AOR album is still fine to listen to but I doubt you would ever select to play such an album above something you actually like.
The usual suspects will like this, buyers will most likely not be too disappointed with their purchase. But acceptable isn’t the same as memorable, or great, it is one of those albums that will be gathering dust in the shelves of those purchasing it. I don’t believe that anyone will think of this as one of the memorable releases of the 2020s, perhaps it will be mentioned as a footnote or something, but that is also unlikely. I know I will throw this album away from the digital library and forget all about it now that this review is finished, I will replace it with a new album to review, hopefully that album will be more novel and interesting than this one.
HHHHHHH