Band:
Iiro Karjalainen - Drums
Jouni Matilainen - Lead Vocals
Juhana Heinonen - Bass and Backup Vocals
Oskari Niekka - Guitars and Backup Vocals
Allan Välimaa - Guitars
Discography:
Worldwide Hypnotize (2012)
Rottendam (2014)
Total Lack of Communication (EP 2015)
The Era of Precarity (2016)
Guests:
Guitar solo in the track#3, “Ode to Life” – Euge Valovirta
Guest vocals in the track#9, “Voyager” – Micko Hell
Keyboards – Sami Tiittanen
Info:
Produced by Re-Armed and Harri Petjakko
Harri Petjakko also recorded the whole album in Studio UG - Kerava, Finland
Mixing by Juhamatti Kauppinen at ShedStudios in Kerava, Finland
Mastering by Matias Ahonen at Audiamond in Niinikoski, Finland
The orchestral/symphonic arrangements by Aapo Salo
Album cover art by Romulo Dias
Released 2020-06-05
Reviewed 2020-08-19
Links:
re-armed.net
youtube
reverbnation
bandcamp
black lion records
It is melodic death metal here, I guess you can look upon it as Scandinavian in terms of style. They do not really come up with anything really exciting when it comes to songs and styles, the production is very good with a soundscape that is very strong. The vocals are fairly ordinary for the genre and doesn’t really make you take notice, in fact there isn’t much about this album that makes you sit up and take notice. It is a solid yet unspectacular album with top-notch production and too much playing time.
At first glance this album appears pretty good but after playing through it a few times this feeling subsides, and it feels like a pretty dreary release. The sound is great but the songs are pretty dull, the vocals drab and in the end I tend to feel like it was more a waste of time than anything else to play through this album. There is no novelty here, there are no fresh ideas, no outside the box thinking, just the same kind of melodeath that has been done by countless bands already. There is just room for a small amount of something before it loses its appeal, new albums in the melodeath genre needs to be a lot better than the earlier albums in order to make an impact and this doesn’t live up to that.
I end up thinking that if the first album was like this it is no big surprise that it is one of the few albums I have reviewed where I actually don’t remember the review or the album, or even the band. This is a pretty anonymous release that fails to excite and fails to bring anything really interesting to the stage. If you feel you have time to kill it might be a good album to check out, but there are way better choices in this genre.
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