Band:
Louis Jucker - vocals, guitars, keys, percussion, harp, sonic tricks
Steven Doutaz - drums and bg vocals
Carmille Mermet - backing vocals
Louis Schild - backing vocals
Discography:
Chinese Sketches (EP 2011)
Everything comes back the same (EP 2013)
Eight Orphan Songs (2013)
The Black Lake (2014)
Some of the missing ones (EP 2015)
The Hollow Fourth (EP 2016)
L'Altro Mondo : Music with Lovers & Friends (2017)
Kråkeslottet [The Crow's Castle] (2019)
Guests:
Info:
recorded and mixed on 8 tracks 1/2-tape by Louis Jucker at Louis Schild’s cabin in Villa (CH), summer 2018
Digital mastering by Morgan Hug
Vinyl mastering by Cyril Meysson
Cover picture and polaroids by Augustin Rebetez
Disposable camera shots and typewriter collages by Louis Jucker
Scanner art, rapidograph and layout by Marie Rebmann
Released 2020-10-30
Reviewed 2020-10-13
Links:
louisjucker.ch
bandcamp
hummus records
It is folk or folk rock, something like that, lo-fi and DIY and in that kind of musical bracket. Decent compositions, okay singing and variation, not much depth perhaps and a bit more dynamics could have livened it up somewhat as it feels kind of stale. The playing time is pretty sensible and Jucker should have a plus for doing more of his own thing than many other artists.
I think that Jucker makes a pretty decent album, but not an overly impressive one. The best parts are quite good, but the album isn’t a very memorable one, I think it needs more drama and dynamics. Jucker has some good ideas but if you hade waited 31 years for this you might be somewhat disappointed he would have needed something much more exciting if it should be worth waiting so long for it. I think Jucker has done more interesting stuff with Coilguns but I don’t think this album is particularly exciting.
31 Years Waiting for This is a good opening, but it doesn’t really go anywhere from there, nowhere really and then it ends without really getting anywhere. It feels like something went wrong, fitting title for an album that fails to inspire. When listening to this album I find myself wondering about who is supposed to get this album, perhaps the lo-fi or DIY crowds but it isn’t really an album that will make any bug ripples in the streams of music.
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