Band:
Nathan Da Silva - lead vocals, guitars
Sarah Westbrook - keyboards, synthesizers, samples
Alberto Campuzano - bass guitar, backup vocals
Brendan Soares - drums, backup vocals
Discography:
Slyde I (EP 2009)
Slyde II (EP 2010)
Feed The Machine (EP 2011)
New World Sympathy (EP 2012)
Guests:
Info:
Music composed by Slyde.
Drums engineered and recorded by Mike Bond at Pebble Studios.
All other instruments engineered and recorded by Nathan Da Silva.
Produced by Nathan Da Silva.
Mixed by Andres Puche with Nathan Da Silva and Sarah Westbrook.
Mastered by Matt Glover.
Artwork by Casey Shea.
Released 2017-02-17
Reviewed 2017-02-14
Described as progressive protest rock if we combine some of the opinions I read, they are modern and progressive with a melodic and rather varied sound. It is also an EP with decent depth and I would describe it as sounding a bit Canadian. The production could have been better but it can still be described as pretty good, and the vocals are good. I think we can describe this as a competent quartet of musicians.
Musicians that also has decent lyrics dealing with human nature and environmentalism in a sci-fi disguise and the story is a little about an alien race deciding against contact with humans due to the stupidity and violence of the human race. As far as I can understand, that is. I think that it great with bands who does think of lyrical concepts as well as the music and the melodies. And they do well on both those counts.
I am not really a fan of the EP format, it is kind of like the short story when it comes to writing and that is just too little in terms of making a really strong impression. Nevertheless, in this case, though I would want more, it is still a strong quartet of songs, songs that I like. I can certainly say that Slyde makes the time it takes to play this little EP worthwhile.
All four songs are really strong on this EP, the first and the last one are the highlights and they are great songs. It comes highly recommended, and I recommend that you spend some nineteen minutes on this great piece of music.
HHHHHHH