Band:
Rolf Munkes - guitars, bass, keys
Lance King - vocals
Neil Murray - bass
Gerald Kloos - drums
Discography:
Hypnotica (2001)
Trading Souls (2003)
The Raven Ride (2006)
Chasing Shadows (2007)
Guests:
Stefan Kaufmann - keyboards (track 9)
Don Airey - keyboards (track 5)
Anders Johansson - drums (tracks 3, 12)
Mark Boals - vocals (tracks 3, 8)
Info:
Gerald Kloos - Co-producer
Stefan Kaufmann - Mixing
Manfred Melchior - Mastering
Lance King - Artwork, Design, Layout
Rolf Munkes - Producer
Recorded at Legatomizer Studios (Germany) in Spring 2001.
Additional Recordings:
Gerald's Drums - Pandemic Studios (Germany)
Anders' Drums - Heptagon Studios (Sweden)
Lance's Vocals - Nightmare Studios (Minneapolis / Saint Paul - USA)
Mixed at Roxx Studio Cologne.
Mastered at MM Sound.
Released 2017-02-24
Reviewed 2017-02-18
Links:
pride & joy
Have you heard any of the similar bands? Or just simply hardrock from the eighties, any hardrock? Then you know how it sounds; it doesn’t need more description than that. The production sounds old, not that strange as it is an old album being rereleased and it has been buried under the sands of time for sixteen years so no surprise there. It is just that I would have written the same if I had reviewed when it was originally released. Back then it was a weak nostalgic trip down memory lane and now it feels like an even weaker trip. One hour of songs we have heard before, and that is true even for those who have not heard the album yet. Déjà vu is what we are getting and lots of it.
The album is decent, some of the songs, especially the ones where Mark Boals handles the microphone are really strong. The problem is that I feel like I have heard every song on this album before and as far as I know I haven’t heard it before starting work for this review – it is just a soulless album that sounds like anything else. That is their problem, they didn’t do anything fresh and now the album has been dug up from its grave beneath the sands of time and I just can’t see why. The lingering question when I listen to this album is always why, why did they dig this one up? It is just a small piece without any real significance.
Yawn, is what I come up with when I try to summarise my impressions of this album. Sure it is a decent album but decent albums are being released in too great numbers all the time, so why add to that with stuff from the past?
HHHHHHH