Band:
James Toseland - vocals, piano
Zurab Melua - guitar
Rabea Massaad - guitar
Dave Hollingsworth - bass
Ben Minal - drums
Toby Jepson - backing vocals
Jim Watson - Hammond organ
Discography:
Debut
Guests:
Tom Voltage - solo on Metalizer
Info:
Produced by Toby Jepson
Engineered by Stephen Harris and Toby Jepson
Mixed by Stephen Harris
Mastered by Simon Francis
Recorded at Valve Studios, Worcestershire & The Strangeplace Studios, Scarborough
Photography by Paul Harris
Cover Design by Martin Lewsley
Released 2015-08-28
Reviewed 2015-08-18
Musically it is hard rock, powerful with catchy hooks and a strong production. Toseland is a pretty good vocalist and they have a lot going for them with catchy choruses and soulful ballads. Fans of hardrock will most likely not be alienated by anything these guys do, their music is pretty much paint-by-numbers in character and novelty is certainly not a word that comes to mind when listening to this album. Toseland might live more on his past as a biker and world champion than his addition to the musical world, at least considering that it sounds like the genre is known to sound. The variation is enough and the playing time probably won’t scare too many fans away – I would say that it is a quality production.
And the songs aren’t too shabby either. The energy and drive is good but as I stated before, the lack of novelty quickly becomes apparent when listening to the album. I Doubt that any but the more engaged genre fans will find this fantastic, although I also doubt that anyone would find it terrible. It is a solid album that only has one small flaw and that is the fact that it becomes repetitive quite quickly. Small doses of the album should serve anyone very well, I like the album quite a bit but only if I don’t play it too much – the songs feel a little bit simple and they grab you easily but they don’t keep you for long as the depth is lacking.
I like all the songs, Singer in a Band, Crash Landing and Emergency are my favourites however. There are several songs with hit potential on the album even though none of them is one of those amazing timeless tracks that skyrockets the mood of an album. In the end I think that Toseland has put together a rather good album, though I would like a more novel approach in a future release.
HHHHHHH