Band:
Daniel Felipe – Vocals
Leko Soares – Guitars and Back. Vocals
Tim Alan - Guitars
Leo Godde – Keyboards
Marcelo Godde – Bass
Marcelo Benelli – Drums
Discography:
Thousand Ways to the Same Land (2003)
... of Bards and Madmen (2005)
Some Ways Back No More (2008)
Raving Souls Society (2012)
Guests:
Chrystian Dozza - Acoustic guitars on tracks 1,7 and 12. Additional acoustic guitars on track 9 and 11.
Valter Custódio – Talk Box on track 5.
Speech on track 2, 8 and 9 by Stephen Hawking. Speech on track 10 by Carl Sagan.
Info:
Recorded at “Bar dos Bardos Studios”, Poços de Caldas-MG, between the months of january and december-14. All voices and acoustic guitars recorded at “Jack Studios”, Machado-Mg, between July-14 and january-15.
Mixed and mastered by Thiago Okamura at “TO-Mix Studios” (www.to-mix-studio.com), São Paulo-SP, between december-14 and march-15
Cover artwork by Gio Guimarães (www.giovanima.com)
Band photos by Bruno Nascimento and Leo Godde
Booklet by Leo Godde
Released 2015-06-30
Reviewed 2015-08-04
Links:
lothloryen.com
youtube
myspace
Folk metal is probably good description of what you get from this album, they mix folk music with power/progressive metal. Lots of melodic touches, slower passages and such things, kind of an adventurous spirit I would say. The singer is more like a folk metal singer than a metal singer, and that creates an interesting dynamic to the album. But it isn’t all in la-la-land either, they have some space elements as well, something best illustrated by spoken word parts by Stephen Hawking and Carl Sagan who are people that shouldn’t need any further introduction. Their spoken word parts are really well integrated into the overall sound of the album as well, that in itself is a commendable feature of the album.
And then we have the variation of the album; it is great and should keep you interested for the entire duration. We get a dozen tracks and a bit over 50 minutes on the playing time. There are some buts however, something that is very illustrated by the opening track that doesn’t really start until after two minutes, that can be scaring away some of the listeners. And there are more such parts where the album loose the direction and goes of the trail it seems to have set, and that is not in a good way like a surprising exciting way but rather in a way that makes you loose interest for a while. That is a major problem for an album that really doesn’t have any other weaknesses but with a bit of lost dynamics the album loose the flow and the feel – especially if you compare it with the best folk metal albums.
So, not as good as it could have been – it could have been fantastic. Now it is just great, it has most of what you can wish for and these flaws may seem large in print but they are a lot less obvious if you are only casually listening to the album and I will keep this one in my music player because it is an enjoyable album to listen to. Folk metal with an adventure that is larger than the most threaded parts in the genre is fantastic, and little flaws doesn’t take away from the fact that this is a great album that I can recommend, especially for fans of the folk metal genre.
The tracks are generally quite solid, some of them have a bit pointless passages where you lose interest but in general they are all very good. The second track is probably my favourite, it has great dynamics and energy, and it is what I think this album should be all about. I think it is a great album, maybe not quite up there with the best in the genre but it is still a very enjoyable album to listen to.
HHHHHHH