Band:
Paul Di’Anno - vocals
Joey Siedl - guitar
Andreas Ballnus - guitar
Christoph Lücker - bass
Dominik Fox - drums
Discography:
Debut
Guests:
Info:
Recorded, mixed and mastered by Martin Buchwalter at Gernhart Studio
Backing vocals by The Choir of Doom
Additional piano by Andy
Photo by Sven Schmoll
Cover and booklet artwok by Matthias Zimmer
Released 2015-05-29
Reviewed 2015-07-15
Well, it is heavy metal, kind of reminds of the NWOBHM style of heavy metal with a slight touch of the modern added. Old style music with fresh production, good energy and it is that rockishly rough around the edges, one could describe as an edgy sound. Thing is though that Paul Di’Anno hasn’t sounded particularly good since leaving Iron Maiden, and this album is not really an exception but at least his vocals fit this album quite well. Stylewise it lacks novelty and the album is also rather long and is nearing an hour in playing time over a dozen tracks – at least if you are listening to the CD. That can be a little bit of a problem, the playing time that is.
Really well produced and all of that, modern and all of that – the album is good to listen to and the songs are fairly likeable. At first listen one wants to bring out the high ratings but after a few listens one realises that it doesn’t really offer us anything we haven’t already heard, and the lack of novelty becomes a bit disturbing as does the lack of variation and the long playing time. So, I think that in general it is for those that are already sold on the heavy metal genre and wants it to remain unchanged forever and ever. As a critic I have to say that it does not quite fulfil the criteria for the higher ratings.
A dozen tracks on the album, all of them are quite good but none of them is a real standout track in my opinion. The most memorable is the ending cover of Soldier of Fortune. I also think opener Rejected and Architects of Chaoz are two tracks that are fairly good and relatively memorable, but as I stated before none of them really stand out that much. Fans of the genre and what Di’Anno has done before will probably enjoy this album – for a critic it doesn’t really offer anything that makes it worth any rating higher than our middle one.
HHHHHHH