Band:
Markus Nordenberg - Lead & background vocals, add. keyboards
Anders Rybank- Guitars, keyboards, bass & programming
Mikael Bohlin- Guitars, keyboards & programming
Discography:
Coastland Ride (2003)
Guests:
Sven Larsson- Guitar solo on 1, 2, 5, 7, 11
Leif Eriksson- Guitar solos on 3, 8, 10
Morgan Östlin– saxophone solo on 4
Patrik Norman– guitars, bass, keyboards, drums & programming on 7, 8
Mikael Cederholm, Benka Jansson: Backing vocals on 5
Maria Ritzén– female vocals on 10
Mark Woznicki– the voice on 10
Info
Produced by Coastland Ride
Mixed by Coastland Ride & Patrik Norman
Mastering by Jonas Ekström
Released 9/12-2011
Reviewed 4/12-2011
Links:
myspace
avenue of allies
Musically it is melodic rock or as many like to say AOR and it is quite typical of the genre in its disposition with the catchy choruses the guitar driven melodies, the keys all of it falls within the parameters without really stepping out of line in any way. The singer may not be as clean in his voice or high pitched as the Joseph Williams type singers of the really Toto-inspired bands but it is not that far from it either. Overall the songs fall within the classical AOR genre but there is one song that stand out as quite different and a bit out of place in scope of how it looks, we’ll pass on that later on in the text. The sound is as clean as you can expect from a swedish band of this genre, no more no less so adequate production is probably the thing to say about that. This album plays for 47 minutes and has eleven tracks.
What strikes me first when I listen to this album is how good the opening track is, the chorus and the melodies in that track called Act of Faith (One Million Reasons) are simply brilliant. And the few tracks like Wait and the title track that follows this opening tracks cannot really be said to be worse either, it all shapes up to be something really good and I begin formulating positive remarks for a five of seven rating. Thing is though that somewhere down the line during the second half of the album it is as if it just dies, the songs don’t grab me anymore and I become increasingly bored with what I hear. It is as though they just lost the inspiration to write good songs towards the end of the album, maybe they thought that half of it was okay and they didn’t need any more good tracks just some noise to fill out the album. I actually have a hard time staying awake when I listen to the end of this album as it is just mind bogglingly dull.
Why do they have the second to last song even on the album, the spoken word singing is terrible and it reminds me of the quality of Zapp Brannigan’s sining in Futurama the led to a crash of a space borne restaurant because of how bad he was, that is what this song is mostly remnant of. Sure the chorus of it is good but the spoken word singing sucks more than an S3 by Nilfisk. It is just a horrible track that I can’t understand why it is on the album. But sure the fact is that the last part of the album is really poor, especially compared to how good the first part of the album is.
So in the end it is an album that starts excellently and surprises me with that and then it ends in an awful way which makes it a bit of a Harvey Dent in the end and I would say that the two sides equal out quite evenly. Still, the album ends up being good on the end as the excellent start is just enough to hold it on an approved level. So in the end it is an okay album and great if you don’t play it too far beyond the halfway mark.
HHHHHHH
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